Write Here at Nottingham Contemporary

Write Here is the writer in residence programme organised by the writing development agency, Writing East Midlands. Write Here is fantastic as it creates residencies for writers in culturally and socially significant venues across the East Midlands, facilitates the creative development of writers and strengthens their links with local communities and audiences.

As part of the Write Here programme, the writer Wayne Burrows is the Writer in Resident at the Nottingham Contemporary. For a period of three months, Wayne is responding to the exhibitions, the museum’s atmosphere, services and working environment. As part of the residency Wayne is also running two series of workshops providing a supportive environment in which participants will be encouraged to creatively respond to all facets of Nottingham Contemporary; one series of the workshops is running in February and the other in March, the latter of which will be held in the Nottingham Contemporary’s ‘Study’ space and is open for participants, so if you’re interested contact Saima Kaur at saima@nottinghamcontemporary.org.

The February workshops are currently taking place with a group of older people from theBilborough Community Centre. These workshops particularly interest me, as I have previously worked in the care industry; I have an affinity with this demographic and I am lucky enough to work as a mentee on these sessions. I was interested in how the group would respond to the gallery and what their thoughts and feeling would be to the exhibitions on display there.Currently the exhibitions at the gallery focus on work by artists Jack Goldstein, reputably one of the most important ‘artist’s artists’ of the last 30 years, and Anne Collier, an exciting artist working with photography.

The workshops are collaborative, as they combine the expertise of both the writer in residence, Wayne, and one of the gallery’s four associate artists, Jo Dacombe to help the participants amalgamate the written with the visual and explore the exhibitions’ themes and ideas in a variety of ways. The first week acted as an introduction for the group to the gallery, with the group exploring the gallery and the exhibitions. A couple of the participants exclaimed that it was the first time they’d ever visited a place like the Nottingham Contemporary before and it was wonderful to see them engaging with the pieces, particularly the sound-scapes, Jack Goldstein’s recordings pressed onto vinyl of forests burning, cats fighting and a tornado to name but a few. After we had explored the exhibitions we all convened for another well deserved cup of tea and a discussion on what the pieces had said to us. There was an agreement from the group that everyone reads the pieces differently, and it was interesting to hear their thoughts and feelings on the experience, with one lady explaining that you can learn a lot about life just by looking at art.

The next workshop on the following Tuesday, Wayne, Jo and myself traveled to the community centre in Bilborough and met the group there. It was larger this time, with more participants who had not been able to attend the previous week but nonetheless keen to take part. For this workshop we reminded the group of some of the pieces that had engaged with at the gallery, and discussed Jack Goldstein’s ‘Text Totems’, explaining our mission for the session was to create some totems of our own.

The session commenced with the group cutting out words and poetic phrases from magazines and newspapers and arranging them on paper in a meaningful and significant way. Other participants played with the relationship between words and images, and wrote thoughts and phrases down, inspired by the Nottingham Contemporary’s exhibitions in an artistic way.

Wayne, Jo and myself worked one to one with the participants during this session, helping the groups with their pieces and encouraging them to approach them from a different angle. I particularly loved the charming, often poignant stories that emerged through this process, tales of first loves lost during the war, of a lady whose husband had gone to school with the man who was the inspiration for the character the Fat Controller on Thomas the Tank Engine, and a lady whose career in fashion had to be abandoned during the chaos of the war, but would never have met her husband had she not moved away from the city.

I think the group found the creative process to be incredibly therapeutic and enjoyable, with no two Totems the same and each offering a different perspective. There was a genuine sense of wellbeing after the sessions, with the participants pleased with their artwork and taking it home to show family and loved ones. I look forward to the creations we come up with tomorrow!

Spoken Word All Stars

Tuesday night brought the acclaimed Spoken Word All Stars touring show to Nottingham at the Lakeside Arts Centre. Organised by the charity, Poet in the City, and the leading performance poetry organisation, Apples and Snakes, Nottingham was privileged to host the only date for the show in the East Midlands, and I was lucky enough to be part of the vibrant audience.

The show presented such talents as El Crisis, Kat Francois (a World Poetry Slam Champion) and Oneness and included two guest poets from the East Midlands, Nottingham’s very own Mulletproofpoet and the brilliant Lydia Towsey. In what was a superb evening of poetry, beats and jazz the audience was swept away on a wave of comedy, tragedy and philosophy all interwoven by the improvised melodies of award-winning jazz musican Jason Yarde.

What I felt worked particularly well and found very striking was how the different voices of the poets all fit together to form a complete piece. The local poets stood alongside the Spoken Word All Stars cast, and whilst each poet was different in their own right and had their own distinctive voices, the show worked brilliantly as a whole and a powerful synergy was created between the pieces. Afterwards it felt as though you had been on a journey through the performances, that you had learned something intimate about the poets and that you had witnessed something more than a spoken word show, something special.

In a time when the arts are under more and more economic pressure it is increasingly important that audiences continue to attend such shows and display their support. For me they act not only as a release from the stresses and strains of my everyday life, but they also serve as an inspiration, showing me what can be achieved with the power of words and presenting different perspectives and ideas. They powerful, moving and prompt me think outside the 'box'.

Lyric Lounge 2010

Last night saw the grand finale of Lyric Lounge 2010. A temporary spoken word venue which has toured through the East Midlands; transforming found spaces into accessible hives of lyrical activity with linked live events aimed at attracting young people and a range of culturally diverse participants and audiences. The aim for this engaging concept is to reach out and generate new interest in spoken word performance, and I feel incredibly lucky to have been able to attend three out of the four festivals this year, which were held in Derby, Leicester, Nottingham and Loughborough.

To me each lounge was unique, with its own ambience and personality, yet also similar, like children born from the same mother. They created a place where the power of the spoken word, poetry and lyrics was celebrated for its ability to connect, entertain and inspire. They have reached out, developed and showcased the talent of local writers and groups and have also been host to such eminent poets as John Hegley, Jean Binta Breeze and John Agard. People were actively encouraged to share their work, whether it be at one of the many open mic opportunities, workshops or 1-2-1’s with professional poets held in the festivals, or even invited to write poetry on the tables, which were ingeniously decorated with bight paper table cloths stamped with the words ‘write on me’. For me the Lyric Lounge acted as a conduit, allowing the audience to reach out into different cultures and groups in the counties, and I feel deeply moved by the experience. The quality of the work by people involved in each of the Lounges has been exceptional, with people honest enough to bear part of themselves and connect through the vehicle of verse and rhyme.

The last performance of these fantastic festivals was the critically acclaimed ‘Showcase Live’, featured by the BBC, Truetube and the British Film Institute. With a cast of culturally diverse poets drawing from personal experience and examining themes from mental health to getting lost and being found, the show was at once brutally honest, dark and profoundly optimistic. The multi media show used video, music and poetry performance to further draw you into the lives and psyche of the poets, creating an unforgettable, powerful show. For me the performance highlighted one of poetry greatest assets: its ability allow people to eloquently express how they feel and make us realise that we through we live disconnected, often fragmented lives, we are not very different from each other at all. To bring unity and understanding through the power of language.

These events are absolutely invaluable in their ability to connect people, to develop voices or even just to make people see that they have a voice which is worth being heard. The Lyric Lounge will now return its region tour next year, visiting Lincolnshire, Northamptonshire and Rutland.

Lyric Lounge will also be returning for a day, Thursday the 7th October as part of the excellent Everybody’s Reading festival in Leicester, and I do hope you can make it over. For more information please see here.

Stories and Ideas

Just where do writers draw their ideas and inspiration? And how do these ideas translate themselves into memorable stories, poems and novels?

I think the answer is always, ultimately, a personal one, and so I will answer it personally. For me writing is an expression and exploration of the self. When I am writing anything that has happened to me is open to be used for inspiration, using a healthy dose of imagination to weave the ideas, experiences and thoughts together to form a story or longer narrative. I draw on my own experiences and I then reimagine them, recreate them and allow myself sufficient distance so I can write about them with fresh eyes to make the most out of the story I am trying to tell. This is not to say that I write autobiographical stories, my characters and events are fictional; however there will be an essence of my self, often manifested in my style of writing, that will ring true throughout all my work.

I’m a firm believer in the importance of stories. They help us understand and make sense of the world around us, and our place in that world. Throughout history it has been stories that have formed the basis of our learning and helped us grow intellectually and spiritually. Stories have the incredible power to take us away from our current stresses and strains and transport us to a place where we can escape the mundanity of life. And they also allow us to draw understanding from events that can often feel too random or colossal for us to comprehend when they happen in reality.

For me a good story will often help me put my own life into context, and it will stay with me, a true friend for life. I feel that a memorable story will have the strength to be honest and key into the thoughts and emotions that make us truly human, fallible and able to make and learn from our mistakes. I also feel that the process of writing is deathly honest. Writers need to be honest with themselves and their stories in order to explore and fully understand what their characters are feeling. In order to be true to ones story, one must first be true to oneself.
Stories sustain the spirit, and the very process of writing stories can be expressive, therapeutic and deeply enjoyable. Nevertheless, during the writing process it’s well documented that many people suffer from a conflict with their internal editor, that voice that questions the validity of your ideas and your ability to express them in the manner that you envisioned. It is important for writers to overcome their fear of failure in order to progress with the story they are trying to tell. As the saying goes: an idea that exists and is put into action is more important than an idea that exists only as an idea. And this I think is the challenge for all writers, to turn ideas into stories that stretch our world, to present us with new perspectives and different ways of seeing.

Round Up

Life has had the happy momentum of being incredibly busy of late, but I thought it was about time I collated some of my news into an easy to digest blog post. Like any concise news bulletin, here are some of the highlights of what has been going on:

Recently I performed at the weird and wonderful Macmillian fundraising event, Cogmachine, organized by some very special people in Derby. The event raised and impressive £422.11 and hosted such amazing artists, musicians and spoken word performers as Jo Lewis, The Super Normals, Mo Pickering, Simon Heywood and the utterly unique and mesmerizing Thomas Truax. For more information on the event please see Ms Mischeif’s blog, here.

I have had stories and poems published here, here and here.

I volunteered at Derby’s very own festival for alternative fiction, Alt. Fiction.
Focusing on Horror, Fantasy, Sci-Fi and Speculative Fiction, Alt. fiction was a fantastically organized event hosting many eminent writers, publishers and agents of the varied and popular genres. With an array of entertaining and informative panels, films, workshops and discussions for participants of all levels, the event was a true treasure trove of literary delights. Here I had the honor of seeing Robert Shearman perform on of his stories from his fabulous collection ‘Love Songs for the Shy and Cynical’. He was a fantastic reader, performing a lengthy and captivating story from memory, enchanting the audience and earning a place as one of my favorite writers.

I strongly recommend anyone who is interested in literature and wants to get more involved to either attend or volunteer at such events. There is so much information to be gleaned, contacts and new friends to be made and it is very interesting to experience the other side to how a literary event is run. Much like performing in a play, you form a bond with your fellow volunteers, and feel a certain sense of loss when the event is over. Volunteering is a great way to channel your passion and interest in literature and to become further involved in the industry, and you might even be privileged to participate in some of the event for free!

During the weekend of Alt. Fiction, a very different, but no less important literature event, the Lyric Lounge was also taking place in Derby. I attended the Sunday event at Deda and was delighted to see the venue transformed into a very well attended friendly and accessible participation space for spoken word, poetry and music. The day also featured Polarbear’s new innovative spoken word film/show ‘Return’, performers such as Sureshot and Mellow Baku, and the specially commissioned and very moving new showcase ‘Between the Laughter and the Tears’ by Joe Coghlan and Jo ‘Spice’ Blackwood, directed by Jean ‘Binta’ Breeze. An amazing event, and perfect end to what was a weekend filled with wonderful words.

And last but not least I was recently interviewed on the first of a new radio show for all literature lovers, The Reading Room. The show was aired on Sunday morning, for which I was privileged to be featured as a special guest, and I was able to promote the wonderful spoken word, music and writing collective, Hello Hubmarine, which I am involved in and very passionate about. I read a short spoken word piece which I performed with Hello Hub last year as part of our set at the Phrased and Confused tent at Summer Sundae and also discuss the upcoming Hello Hubmarine website. I’ll post the podcast of the show up here as soon as it is available.

Exciting times indeed, just watch this space!

A Pair of Star Crossed Lovers

Recently I’ve been immersed in the world of ‘Such Tweet Sorrow’, a modern, multi-platform interpretation of Romeo and Juliet by The Royal Shakespeare Company. Using six actors to play key characters in the play, the story unfolds in real time on the social networking site, Twitter. The project presents viewers not only with the omnipresent ability to follow events as they happen, but also the gift of being able to interact with the characters, creating a truly multi-usery and addictive take on a much loved tale.

While on some levels ‘Such Tweet’ has been criticised for changing an untouchable literary classic, for me the story has been given a fresh spirit to what I once perceived as a rather dated and overdone play. I find it fascinating how the personality of the characters comes alive using only 140 characters per tweet. They also use Twitter to post pictures and YouTube videos of themselves and Juliet has gone as far as to create a Facebook event for her sixteenth birthday party tonight. And if you’re a Call of Duty fan you could even be lucky enough to play with Romeo online as he’s currently grounded for getting into fisty-cuffs with Tybalt.

The only thing that worries me about this project is the level of emotional involvement myself and many many other people are feeling towards the characters. Romeo and Juliet is a tragedy, and soon I will have to say goodbye to characters which I have invested time and care over. Much like the ending of a good novel, I am going to have to prepare myself for a certain feeling of loss and bereavement. But why do we read on when we know there’s darkness and hurt around the corner? I think there is a link between good literature and healing, a cathartic way of purging the emotions in stories that stand the test of time and make us feel human. ‘Such Tweet’ is happening over 5 weeks and I urge you to follow them, have a look and even get involved by replying back. I only hope that this paves the way for further projects in the future of a similar nature, of exploring how technology can enhance much loved classics and bring them to different audiences around the world.

To follow 'Such Tweet' and more information click here

A Word on Word!

‘Word!’ is the longest running poetry and spoken word night in the East Midlands. Hosted at The Y Theatre in Leicester, a gorgeous venue with large round tables, red velvet chairs and bursting with a palpable creative atmosphere, Word! offers a much needed platform for poets and spoken word artists. For most of the evening it is ran as a highly organised open mic night, with slots available to any artist who gets to the venue and puts their name down by 7 that evening. Such a format gives the audience the chance to delve into different approaches and styles of writing that reading privately could never offer. Word! is then concluded with a booked headline act, and in the past has hosted such poets as Rob Gee, Joolz Denby, Malika Booker, Steve Rooney and Lucy English to name but a few.

Last night, in partnership with Staple Magazine, Word! delighted the audience with the majestic Mimi Khalvati, the founder of The Poetry School and a truly inspiring poet. She has published 6 collections of poetry with Carcanet Press. Her most recent book, The Meanest Flower, was a Poetry Book Society Recommendation, a Financial Times Book of the Year, and also Short-listed for the TS Eliot Prize. Mimi was mesmerising, and won the hearts of the audience not only with her wonderful poetry but also her kind and gentile personality, instantly putting everyone at ease and taking us on inspiring journey through her life via the medium of poetry. I came away from Word! feeling invigorated and bursting with new ideas thanks to the magic of good poetry.

For more information on Word! see here http://www.myspace.com/wordleicester