‘Word!’ is the longest running poetry and spoken word night in the East Midlands. Hosted at The Y Theatre in Leicester, a gorgeous venue with large round tables, red velvet chairs and bursting with a palpable creative atmosphere, Word! offers a much needed platform for poets and spoken word artists. For most of the evening it is ran as a highly organised open mic night, with slots available to any artist who gets to the venue and puts their name down by 7 that evening. Such a format gives the audience the chance to delve into different approaches and styles of writing that reading privately could never offer. Word! is then concluded with a booked headline act, and in the past has hosted such poets as Rob Gee, Joolz Denby, Malika Booker, Steve Rooney and Lucy English to name but a few.
Last night, in partnership with Staple Magazine, Word! delighted the audience with the majestic Mimi Khalvati, the founder of The Poetry School and a truly inspiring poet. She has published 6 collections of poetry with Carcanet Press. Her most recent book, The Meanest Flower, was a Poetry Book Society Recommendation, a Financial Times Book of the Year, and also Short-listed for the TS Eliot Prize. Mimi was mesmerising, and won the hearts of the audience not only with her wonderful poetry but also her kind and gentile personality, instantly putting everyone at ease and taking us on inspiring journey through her life via the medium of poetry. I came away from Word! feeling invigorated and bursting with new ideas thanks to the magic of good poetry.
For more information on Word! see here http://www.myspace.com/wordleicester
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Musings on Literature, Writing, Poetry, Film, Spoken Word,Local Events and much more...
Showing posts with label review. Show all posts
Showing posts with label review. Show all posts
Wednesday, 7 April 2010
A Word on Word!
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Tuesday, 23 March 2010
Audio Delights
Audio books have long been a passion of mine, and a form of reading I implore all literature lovers to try. While reading books generally can be quite a personal pleasure, audio books can be shared with other people, much like watching a film together. They promote multitasking, and can be enjoyed while on the move, like shopping or walking the dog. I truly believe they’re a great way of catching up on the books you’ve always wanted to read, but never found the time or for some reason or other, the inclination.
As much as I love these treats of for my ears, audio books are not without their downside. While a good reader can bring a narrative alive, adding nuance and texture to a story, a bad reader, (one that you don’t connect with or has an annoying voice, etc) can murder a good story slowly and make you lose interest in the plot, or compassion for the characters. Unlike the palpable nature of books, where you’re able to flick through the narrative at leisure, refreshing yourself on an event which may have occurred 100 pages ago, with an audio book such omnipotent power is harder to exert for fear of losing you current place. From a writers perspective, audio can be fantastic since it forces the listener to consume to every word that has been painstakingly written, nevertheless if the listener lets their mind wander while listening to a story they run the risk of losing some vital information. And finally if a story challenges writing convections like structure, the true effect can be lost in the listening of the narrative as the reader is not able to envision the text as it was originally intended.
Through my years of listening to audio I have learnt that it is important to choose the book I listen to wisely. If the author plays with time lines, structure or employs interesting postmodernist techniques to their story I will generally read the book rather than listen. There is still something very precious and intimate for me about reading a book, but listening to audio presents me with the opportunity to indulge in my passion of literature while still continuing with the day to day running of my life.
Currently I’m listening to Ian McEwan’s new novel, ‘Solar’. A true delight: his clever turn of phrase, wry and human observations bring glimpses of sunshine on the grey English day. Go on, have a listen.
As much as I love these treats of for my ears, audio books are not without their downside. While a good reader can bring a narrative alive, adding nuance and texture to a story, a bad reader, (one that you don’t connect with or has an annoying voice, etc) can murder a good story slowly and make you lose interest in the plot, or compassion for the characters. Unlike the palpable nature of books, where you’re able to flick through the narrative at leisure, refreshing yourself on an event which may have occurred 100 pages ago, with an audio book such omnipotent power is harder to exert for fear of losing you current place. From a writers perspective, audio can be fantastic since it forces the listener to consume to every word that has been painstakingly written, nevertheless if the listener lets their mind wander while listening to a story they run the risk of losing some vital information. And finally if a story challenges writing convections like structure, the true effect can be lost in the listening of the narrative as the reader is not able to envision the text as it was originally intended.
Through my years of listening to audio I have learnt that it is important to choose the book I listen to wisely. If the author plays with time lines, structure or employs interesting postmodernist techniques to their story I will generally read the book rather than listen. There is still something very precious and intimate for me about reading a book, but listening to audio presents me with the opportunity to indulge in my passion of literature while still continuing with the day to day running of my life.
Currently I’m listening to Ian McEwan’s new novel, ‘Solar’. A true delight: his clever turn of phrase, wry and human observations bring glimpses of sunshine on the grey English day. Go on, have a listen.
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Thursday, 21 January 2010
This week, I have been mostly reading: Enduring Love by Ian McEwan
Beginning with the tragic death of an unknown man in a ballooning accident, Enduring Love captures the spiralling events which proceed this, following Joe as he is led astray from his love, Clarissa, by a mentally deranged stalker Parry. In response to Parry’s unwelcome love towards him, Joe becomes obsessed with his antagonist and is increasingly incensed as the people around his fail to recognise the deep threat that Parry poses to his life. Enduring love explores how tragedy can connect, us, shape us and change our lives irrevocably. McEwan’s prose is thought provoking, involving and intelligent, with metafictional reference to the nature of narrative and how we understand and interpret the world around us; defiantly one of the best novels I have read in a long time.
Now…what to read next?
Now…what to read next?
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Published Stories
- Close Your Eyes and You Can See the Universe - Published in Home by TTO
- Battlefields - Published by Tomlit
- Cocks - Published by Pygmy Giant
- First Kiss - Published by Pygmy Giant
- First Kiss - Performed at the Arts Organisation in Nottingham
- The Dream Machine - Published by Duality in the Anthology 'Peace'